High-quality film scanner lenses have ideal properties for detailed images with focus stacking. The second of three lenses is presented here.
In focus stacking, good film scanner lenses enable a significantly higher level of detail reproduction than conventional close-up or macro lenses. They also have excellent correction of color errors and distortions. Nevertheless, they are relatively little known in macro photography. Following on from the Minolta Dimage Scan Elite 5400 in the first part of this series of articles, this second part will introduce an equally legendary 35mm film scanner lens.
At the beginning of our millennium, not only Minolta launched a revolutionary film scanner lens, but Nikon launched two. Both Nikon lenses can be traced back to the Printing Nikkor, an absolutely legendary lens that Nikon developed around 1970 for extremely high-quality reproduction purposes, e.g. in the printing industry, but also for copying cinema films. It consisted of 12 lenses in four groups, and the overall optical qualities such as resolution, correction of chromatic aberration and distortion as well as color reproduction were absolutely revolutionary. The purchase price was roughly equivalent to that of a used car; Robert O'Toole quotes a new price of 2,262 US dollars for the "Printing-Nikkor 95 mm" and the year 1977, which in 2021 corresponded to a purchasing power of 9,886.99 US dollars.
In later versions, this Printing Nikkor received two more lenses, so that it now had 14 lenses in four groups ("Printing Nikkor 95 mm F2.8 A"). At the end of the 1990s, Nikon then decided to build lenses for a 35 mm and a medium format scanner based on the lens calculations of this Printing Nikkor. These developments were completed around the turn of the millennium, so that six prototypes were created, three with a focal length of 40 mm for a 35 mm scanner and three with a focal length of 100 mm for a medium format scanner. The goal was the Coolscan 4000 and 8000 scanners. Marco Cavina provides a detailed overview of this prototype development.
They were followed a few years later by the Coolscan 5000 and 9000 scanner models, in which the larger lens was slightly revised. However, in addition to optimizing the production process – which led to falling scanner sales prices – the aim here was to replace glass materials with toxic additives with other lenses, as this was required by EU regulations. The optical qualities of the lenses should not be affected by this.
The medium format model is called "Scanner Nikkor 100 mm" by Nikon and is described in detail in part 3 of this series of articles. The 35 mm model is called "Scanner Nikkor ED 40 mm", "Scanner Nikkor ED 7 Element Lens", or in short "Nikon ED 7". It has seven lenses in four groups, a focal length of 45 mm and is apochromatically corrected for both lateral and longitudinal chromatic aberrations (CAs). This leads to particularly high image sharpness because deviations in the individual colors red, blue and yellow are compensated and color edges around subject contours, which cost image sharpness, are avoided.
Image scale
A scanner sensor is not a rectangle with pixels arranged in a flat pattern as in a digital camera, but has an elongated shape and is therefore very narrow and long. During the scanning process, it moves from one side to the other over the object. The 36 mm wide and 24 mm high 35 mm film strip is scanned at a height of 24 mm by a sensor that is active over a length of 32 mm. This means that this lens enlarges a 24 mm long image edge to 32 mm, which indicates that this lens has been optimized for a reproduction scale of 1.33. On a full-frame sensor, a photographed object is reproduced slightly enlarged.
The shooting distance (distance from the object to the light entry lens) is then around 59 mm. By changing the focus distance (distance from the light exit lens to the camera sensor), the shooting distance can be varied, which then also changes the image scale accordingly. Reversed use (inverse position) results in an image scale of 0.75x; an object photographed in this way is therefore displayed slightly smaller on a full-frame sensor. The original position of this lens is useful for reproduction scales of 1:1 to 2:1 or more, the retro position (inverse position) rather below 1:1.
Full-frame suitability
Is this lens suitable for a 35 mm full-frame sensor? Yes, but with restrictions. It was designed for an elongated scanner sensor with a length of 32 mm. We produce rectangular images with this lens, but in principle lenses always produce a round, circular image. This is why we also speak of the image circle, and this image circle is effectively cropped to a rectangle in order to obtain our desired image format. Let's assume an image circle diameter of 32 mm for the Scanner Nikkor ED 7 Element Lens. However, our 35 mm full-frame sensor has an active area of approx. 24 x 36 mm, which results in an image diagonal of slightly more than 43 mm. This clearly exceeds the lens image circle of 32 mm, as can be seen in the diagram. For this reason, at least darkened corners are to be expected at a reproduction scale of 1x in full-format, because this lens does not cover the entire sensor surface.
In my test with a full-frame sensor (Canon R3), it showed slight corner darkening at a magnification of 1.3x, but this is unlikely to be significant for many centered objects and is probably largely negligible in practice.
At smaller image scales from 1.2x, the slight corner darkening begins to become more pronounced, and at 1x it can already be disturbing for some image motives. Below 1x they become difficult to tolerate, and in my tests at 0.7x with a full-frame sensor there was also a clearly recognizable loss of sharpness. The inverse position, which in itself produces a somewhat smaller image scale, can reduce these problems somewhat below 1x, but the image remains unusable.
The Scanner Nikkor ED 7 Element Lens is suitable for full-frame sensors at 1.33 and larger reproduction scales, and starting from 2x its sharpness performance can be increased slightly by using a variable aperture. With smaller sensors such as APS or MFT, there is no darkening of the corners, so that smaller reproduction scales are also possible here, as the diagram shows. This is where it delivers its best performance at magnifications between 1.1x and 1.5x. For image scales of 1x and below, the lens should be used in the inverse position with smaller sensors because it then works with a smaller image scale anyway.
Image quality
The image quality of this lens is beyond any doubt. The image is sharp from the center to the corners, free of distortions, and color edges (chromatic aberrations) are nowhere to be found. In contrast to the (also outstanding!) Minolta Dimage Scan Elite 5400 scanner lens, it also exhibits no image field curvature. The color reproduction is breathtaking.
The magnification can be increased to 2:1 and beyond by enlarging the extension, without any visible loss of quality. The working distance for focus stacking work is also sufficiently large to achieve good light distribution on the object, approx. 60 to 90 mm in full format.
Removing the lens from the scanner
Removing the lens from this Nikon 35 mm scanner is much more difficult than with the Minolta Dimage Scan Elite 5400, as numerous parts have to be removed in order to take out this high-quality lens. However, this is not really a problem because the scanner is probably defective anyway and should no longer be used. However, even in this case, you should definitely keep all the remaining material to make it possible to repair other scanners, as this has become much more difficult since 2020 because Nikon stopped supplying spare parts in that year.
Never disassemble a working film scanner to get to the lens. Film scanners are a dying breed, and each of these devices is far more than the sum of its parts. Personally, I only dispose of a slide scanner if it is definitely defective and a repair really no longer seems sensible or is no longer possible.
Opening the housing depends a little on the model. Start with the screws at the bottom and rear. At the rear they are directly accessible, at the bottom you have to pull off the flat rubber feet to get to the screws (Coolscan LS 5000 ED or V ED LS-50). The housing is then pulled upwards in one piece.
The LS-4000 ED and IV ED LS-40 models have all the screws on the back. The housing is in two parts and is removed on both sides. Despite the different housings, the inner workings of the four scanner models are essentially comparable.
Now the actual disassembly begins. The best way to start is to loosen the plug connections on side A and on the top of the circuit board behind the rectangular metal cover. You can then unscrew the cover together with the circuit board.
The lens
You can then completely dismantle this removed assembly in order to remove the lens. f you hold the lens in your hand, you will see that it has a wide groove running all the way around in the middle. At one end the housing is in one piece and has a white dot marking, at the other end it is divided into two parts by a thin groove. The side without the circumferential groove with the white dot marking is the light exit side. It was facing the sensor in the scanner, so it points towards the camera when focus stacking in the normal position. The housing diameter is 24.3 mm.
Mounting
An adapter offered by Rafael Pankratau (RAF Camera) is particularly recommended for attaching the lens to the camera. With its 24.3 mm diameter, it is held precisely by three headless screws and adapted to a male M42 thread.
It can then be easily attached to a camera using the appropriate adapter, with the necessary extension. This is easily possible with M42 intermediate rings onto which the adapter can be attached directly.
Aperture
Not every lens has its highest sharpness performance at open aperture. The sharpness performance of some scanner lenses can be increased somewhat if a variable aperture is installed behind them on the sensor side. This also applies to the Scanner Nikkor ED 7 Element Lens, especially for magnifications from 2X or 2:1. Such variable apertures are also available with an M42 thread, female on one side and male on the other, so that they can simply be placed in between for this installation.
By default, the lens has a design aperture of about f/2.8, in reverse position f/2.6 (both values Robert O'Toole). With a variable aperture fitted, I recommend a series of tests with individual shots of different apertures in order to experimentally determine the highest image sharpness. However, take care not to produce diffraction blurring by using an aperture that is too small.
The aperture in millimeters corresponds to the ratio of the focal length to the f-number, in this case:
Focal length in mm : aperture value as a number = aperture opening in mm
45 : f/2.8 = 16.07 mm (numerical aperture without variable aperture)
45 : f/3.5 = 12.85 mm (added variable aperture set to f/3.5 or 12 mm)
Daniel Knop, www.knop.de
Sources:
Cavina, Marco – http://www.marcocavina.com/articoli_fotografici/articolo Scanner Nikkor ED.pdf
O’Toole, Robert – https://www.closeuphotography.com/scanner-nikkor-ed-lens
Savazzi, Enrico – https://www.savazzi.net/photography/scanner-nikkor-100mm.html
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